active listening

The biggest time-waster in the practice room is whipping out our instrument and proceeding to play through repertoire over..and over…again. Often repeating mistakes. Often getting annoyed at those same mistakes with no idea of how to solve them. Six hours of practice later, we pat ourselves on the back for a “busy” day with our instrument. The next day, of course, all the same problems come up in the repertoire. Or worse – we have gotten SO burnt out the previous day that we spend the rest of the week not practicing at all. The lack of purpose and direction has led to overwhelm and lack of progress.

Much more effective is to have a clear plan and idea of what and how to practice. It’s far better to target something concrete in a focused 2-hour practice day than to panic through a 6-hour one. This is especially important when there is a lot of music to learn and not enough time in the day. Often, achieving one specific task will give valuable information on how to improve other parts of our playing, whether it’s related to something technical or a decision on interpreting a piece.

Here are 3 simple (but not necessarily easy) steps to practice with better intention.

Continue reading “How To Practice With Intention & Solve Problems Faster”

Sometimes orchestra rehearsals and concerts are not held in the most ideal spaces. Have you ever sat in a section with so little room that you had to contort your body and hold your instrument in the weirdest and most uncomfortable ways to make room for your bow and the musicians around you? Now imagine playing in a 3-hour rehearsal like this. To make things worse, the chairs are terrible and don’t allow both sit bones to distribute your weight evenly to align the back properly. Oh yea, and you also have to make sure that you can see your music and the conductor reliably.

 

Continue reading “Self-Maintenance and Recovery After Orchestra Rehearsals”

What will be your first scale of the new year? Do you ever feel that practicing scales becomes a bit stale after falling into a comfortable routine? I have to confess – some days I substitute my routine in favor of other kinds of exercises in order to feel fresh and engaged during the warm-up.

Some time ago, I was studying a chamber music piece from the Classical era in which the violin part had a section filled with embellishments – chromatic turns outlining descending arpeggios, to be specific. These ornaments caused me to stumble, and more than a few times. I was frustrated that a fairly “straight-forward” movement suddenly became very challenging. Any amount of routine scale practice (Galamian, Flesch, or Heifetz) wouldn’t have prepared me for this kind of passage. Instead of looking for an appropriate etude, I decided to come up with some new scale exercises.

Continue reading “Scales With Embellishments (part 1)”